Tag Archives: kids

Grab A Bucket…

The idea of having a bucket list (things you are committed to doing during your life) has become more than popular–it’s nearly viral. Traditionally follks haven’t thought seriously about their life accomplishments until their mortality becomes real. Now I hear young people and kids talking about their bucket list.

Well, here’s another bucket idea that I think is extremely adaptable, practical, and useful. The idea is geared for kids — they get all the good stuff — but once you get the fundamentals, you can see it working in organizations, families, companies… The bucket represents your mental and emotional self. You fill your bucket with words and actions that demonstrate you care about somebody.

One adaption of this was made successfully by the Livermore Maine School Committee with an elementary school program to encourage positive behavior and make it a habit. A feature of the program is a literal bucket–when teachers and staff see a student “being nice” to someone they write the child’s name on a slip of paper and place it in the bucket. A monthly drawing means students receive recognition in the form of extra recess time, books, etc.

Back in my corporate consulting days, we used a similar approach with “something extra” coupons. Every employee was allowed to award a coupon to another employee for positive behavior that “went beyond” the norm. While coupons could be redeemed for lunch discounts, etc. we found that most people didn’t redeem them and kept theirs as trophies!

There are some great kids books about bucket filling–for information and resources visit the Bucket Filler Website. Put on your creative hat and see how your family could have a bucket… or just make it a personal habit of making sure you do something every day to fill your own bucket!

This idea was also posted on New England City and Town News Notes–a great site for news and ideas from around New England!

Slightly More Than 24 notes…

I guess I’ve heard “taps” played many times throughout my life… most of those occasions were at Memorial Day or Veterans’ Day Celebrations. While not all of the the times have been “perfect,” the sentiment always is and it seems to be one of the occasions when silence reins in the too thin crowds. For the duration we seem to become aware of the number of flags flying in the cemetery we visit on these special days.

Since many of us will be experiencing this Monday, here’s a little taps trivia. The original version of what we call “Taps” was written by Daniel Butterfield in 1801 and was then named “Last Post.” It was rather lengthy and formal so in 1862 it was shortened to 24 notes and re-named “Taps.”

The performance of the original version embedded here makes the rounds every so often… it has a lot to recommend it. For one thing it was performed in Holland by a reasonably popular trumpeter named Melissa Venema. At the time of this recording she was thirteen years old. It’s pretty powerful–turn off all distractions, listen and watch. You won’t hear a false note and you will be as mesmerized as the crowd who watches her perform with the Johann Strauss Orchestra under the capable direction of Andre Rieu.

And maybe you could think about attending a Memorial Day Event to hear it played again–perhaps not as well, but with just as much meaning.

From my side of the desk…

I’m always hesitant to call myself a teacher… for a lot of reasons, I suppose. One is that I do spend a lot of time at the local elementary school as a volunteer and I do not want any role confusion. (I had a young fellow at school ask me if he could something the other day. I replied that he needed to ask his teacher. His reply secretly made my day. “But you teach me stuff–like how to read!” Okay, but you still need to ask your official teacher.)

I do teach. I guess  I can consider myself officially a teacher of adults. And the role of the teacher and student is an interesting one… I’m often surprised–or at least disappointed– that a number of my adult students expect it to be somewhat adversarial. One of my colleagues reported a student announcing that since she was “the customer” and paying for the course she “would do whatever she wanted in class.” Fortunately, my colleague had the presence of mind to reply, “Yes, you are the customer and you can do whatever you like. I am the instructor and can do whatever I like–including giving you a failing grade for the course.”

I’m convinced that we’ve got this wrong in a very fundamental way. I think it stems from a too-often adversarial relationship between parents and teachers. It is not my intent to contribute to the hostility by defending teachers–certainly we are not a perfect profession at any age or grade level. I also do not want to over-simplify the topic.

But I do want to suggest that we get rid of the desk. I don’t want to sit behind it and I don’t want my students or their parents sitting in front of it. (Okay, I’ve never had an adult learner’s parent intercede on the students’ behalf, but I have been contacted by spouses.)

Let’s sit next to each other and talk about what it is that we are trying to achieve. Your homework assignment is to read this article before we meet:

“What teachers want to tell parents.”

The assignment applies even if you aren’t a parent of school-aged children, because our class discussion will be about how we view education and development… and how easy it is to forget what we’re trying to accomplish with it.

“I’m sorry I’m not better at this…”

During a recent visit to a third grade art class a budding young artist finished her assigned work before the class was over. Since project work is often finished at different paces, students who complete their assignment with the teacher’s approval are then allowed to “play” individually with other projects of their chosing. This young lady requested that I sit across from her “So I can draw a picture of you.”

This process involved a number of different colored crayons and certainly included some artistic license. I am wearing glasses in the result, but my clothing was adapted to include a turtleneck shirt. “I’m not really very good at drawing necks,” was the explanation. I chuckled at the thought of the mall artists who will do sketches will you wait. They usually work in silence with a small audience behind them and you get to watch the audience’s reactions as the image forms.

In this cause the artist’s reactions were apparent because she kept a running commentary going. Much of it was actually a series of apologies over the parts she had trouble with or the goofs she made.  “I’m sorry but I can’t draw hands very good.” (My hands are raised as if I’m being held up, but I think I’m actually supposed to be waving.) I would have to say that I look much more muscular than I realized and have very square shoulders. Of course I countered her continued self-deprecation with gentle compliments and made sure she knew I was approving of her efforts. She was, after all, being quite professional–studying me with a trained eye, then attempting to record what she saw with blunted crayons.

I admired her courage. 

But I also felt a deep sadness because she keep repeating her sense that her work wasn’t good. Or at least not good enough. I suppose that makes her an achiever, but at what point will she give up and decide she isn’t an artist? I know I learned long ago that I’m not “artistic.” I’m sure I would not be able to draw a very good picture of her–at least that’s true  if “good” means “accurate.”

As a student of education and learning, I long ago became an opponent of the popular “self esteem” movement that suggests education is all about making kids feel good about themselves. It’s not that I’m against kids developing self-worth. But as my experience with this artist demonstrates, when we try to hand it to them, we actually are taking it away. They want to earn it.

I don’t think we should deprive them of that opportunity. Somewhere between giving all positive messages and constant criticism there’s a balance. That it’s hard to find doesn’t mean we shouldn’t try–any more than the fact that my little friend “can’t draw hands” means she shouldn’t try. We can learn a lot from her. If I’d tried to convince her she’d drawn great hands, she’d have known I was not being honest.

Can we agree with her that my hands “don’t look right” without making her feel like she’s a failure?

Perhaps more to the point, can we face our own errors without considering ourselves a failure? I usually find one student in my adult classes that I refer to affectionately as “my little over-achiever.” Math anxiety and test anxiety have their roots in the fact that we are not taught how to fail. Somewhere along the way we forget there’s process.

Let’s not be afraid to value process and effort. They are as much a part of our self-worth as are our accomplishments.

One of the things I’ve had to learn about working with kids is that it’s best not to read too much into what they say and do. It’s tempting, but I really think she just wanted to draw me–that was her goal and the desired result. She gave the drawing to me when it was finished. I approved it, but I’m not even sure my approval was important to her.

But that drawing is very important to me. And it’s hanging where I have to pass it every day because I want to be reminded of these many things. I’m not ready to start drawing portraits, but if she can try things, so can I. Getting results is great, but enjoying the process is pretty awesome too.

Oh, I also kinda like that the final touch to her masterpiece is the angel she drew sitting on my shoulder.